跳到主要內容

【Perez公器私用練英文016】 Zinedine Zidane: Coach Watch 齊內丁席丹:教練觀察

 ZINEDINE ZIDANE

Real Madrid, 2016-2018; 2019-2021

席內丁席丹

皇家馬德里, 2016-2018; 2019-2021


原文網址:https://www.coachesvoice.com/real-madrid-zinedine-zidane-la-liga/

時間:(未紀錄於文章內,但從文章討論球員狀態,研判應為2021席丹剛離任後)

記者:The Coaches' Voice (未署名)

取用於Bleacher Report Football(2018/05/31)



Profile資料簡介

It was only 10 months after his resignation that Zinedine Zidane returned to manage Real Madrid. He first stunned those at the Santiago Bernabéu when he departed only five days after leading them to a third successive Champions League title in May 2018, having excelled since succeeding Rafa Benítez. Julen Lopetegui and Santiago Solari then had short periods as the club's manager before Zidane returned again, in March 2019, and restored a much-needed sense of stability.

席內丁席丹從離職到回歸執教皇馬,僅僅相隔了十個月。2018年5月,他在接任貝尼特斯之後創下佳績,帶領皇馬拿下歐冠三連霸的五天之後宣布離職,語驚四座了伯納烏球場。洛佩特吉與索拉里曾短期執教過皇馬,但在2019年3月席丹回歸後,才恢復了皇馬最需要的穩定性。


He returned, however, to a squad weakened by Cristiano Ronaldo's departure to Juventus, and instead of managing a fine collection of players at their peak was being asked to oversee a period of transition and to develop a younger team. A further league title followed before Zidane left again in May 2021; perhaps more significantly, he oversaw the continued development of Marco Asensio, Federico Valverde and Vinícius Júnior, players expected to lead their new-look team. "Zidane is one of Real Madrid's great icons and his legacy extends beyond what he has achieved as a coach and player at our club," Real said in a statement when he resigned again.

雖說席丹歸來,然而,面對團隊因為C羅遠走尤文圖斯而弱化,這次不再是統率一支巔峰期的優秀球員集錦,而是被要求督軍轉換期跟幫助球隊年輕化。又一座聯賽冠軍在2021年5月席丹二度離開之前翩然到來,更顯而易見的是,他成功看到了阿森西奧、巴爾偉德、維尼修斯這些被期待讓球隊煥然一新的球員與他們不絕於後的發展性。



「席丹是皇馬偉大的象徵之一,他的傳奇性遠遠超出了他在俱樂部教練或球員獲得的成就。」皇馬官方在他再次離職時的聲明說道。


Playing style 踢法

Consistent team selections and performances inspired so much of Real's success during Zidane's first period as their manager. For both of the 2017 and 2018 Champions League finals, for example, he used an identical starting XI; a more central role for Isco in 2018 was their only change. Even if his team evolved from using a 4-3-3 formation to a four-diamond-two during that period, their personnel remained similar.

在席一期,不變的陣容與表現激發了皇馬的諸多成功。舉個例子,2017、2018年的歐冠決賽,他用了雷同的先發陣容——唯一的差別是2018年給了伊斯高更靠近中路的位置。即使他的球隊那個時期從4-3-3演變為4-4-2鑽石中場,他們的本質也維持類似。


It was also significant that they posed a balanced attacking threat. From goals scored in the Champions League, the competition that has long defined Real as a club – and which they dominated under Zidane until his first resignation – 16 assists came from the left side of their attack, 16 came from central positions, and 18 came from the right. Support offered by their advancing full-backs Marcelo and Dani Carvajal invited Ronaldo, Isco, Gareth Bale and Asensio to drift infield from wide starting positions when they were organised into a 4-3-3, and when that 4-3-3 became a four-diamond-two they became responsible for providing Real's width.


他們擺出具平衡性的攻擊鋒線是意義非凡的。從歐冠聯賽這個長期作為皇馬標誌的競技比賽來看——並且在席丹第一次宣布離任前,他們制霸了這個聯賽——16個助攻來自左側發起的攻擊、還有16個來自中路、18個來自右側。


球隊打4-3-3時,由前插的邊後衛馬歇羅跟卡瓦哈爾提供了彈藥援助,C羅、伊斯高、貝爾、阿森西奧從拉開較寬的起始陣型,各個應邀長驅直入敵營深處。然而當4-3-3變成4-4-2鑽石中場時,他們也為皇馬的陣型的寬度扛責。


Zidane also prioritised playing his best players in their most natural positions for as long as possible. Ronaldo was perhaps the finest player in the world inside the penalty area for the period Real were managed by the Frenchman, and he was therefore moved from his a role as a left-sided forward who cut infield to shoot to a permanent central position alongside Karim Benzema.

席丹同樣盡可能長時間的,優先讓他最好的球員,踢他們最舒服的位置。C羅大概是在法國人治下的皇馬時期,論禁區之內的世界最佳球員,因此席丹將他的角色從內切殺入的左前鋒,調整到跟本澤馬並肩作戰的常設中鋒位置。


Benzema also thrived from that change. His off-the-ball movements – particularly when withdrawing away from opposing central defenders – offered Isco freedom from his role as Real's number 10 that the Spaniard regularly used to combine with those positioned wide, often giving Ronaldo increased room (below) in the areas in which he was so influential. Him doing so also contributed to increased numbers in wide areas, leading to Real dominating in the territory their then-manager values.

本澤馬也在那樣的轉變下重獲新生。他的無球跑動—特別是拉走對方中後衛的時候——解放了伊斯高在皇馬的10號位,讓西班牙人能經常藉此在那些寬廣的站位空間給予幫助加成;本澤馬也經常締造C羅在禁區內的空間(如下圖)——他最有影響力的地方。他也同樣在邊路上人員的增加發揮作用,率領皇馬制霸他們當時教練重視的疆域。





After Zidane's return that desire to make the wide areas a priority continued. Ronaldo's departure contributed to Benzema being given a different role, and again within a 4-3-3 (below); he occasionally still withdrew from his starting position to link with those in midfield, but often remained more advanced than he did alongside Ronaldo. Many of those recruited – Eden Hazard, Rodrygo and Vinícius among them – are often at their best attacking around the outside of opponents, and combining inside with their attacking full-backs Marcelo, Carvajal, Lucas Vázquez and Ferland Mendy.

邊路為首重的期望,在席丹回歸後仍被延續。

C羅的離去給予本澤馬渾然不同的角色,並且再次採用4-3-3(如下圖),他離開初始位置去跟中場球員連接的次數變得鮮少,更頻繁的是維持比起他跟C羅並肩時更高的推進性。他諸多的拍檔——在哈札爾、羅德里哥、維尼之中——經常在對手禁區外圍,他們最好的攻擊位置,並有他們攻擊性的邊後衛馬歇羅、卡瓦哈爾、LV跟門迪參與其中。

The demands on their central midfielders also subtly changed. Two of Toni Kroos, Casemiro and Luka Modric usually formed a double pivot, as an alternative to the occasions Kroos and Modric operated in front of Casemiro – as they did when winning three successive Champions Leagues. Valverde's emergence and deployment in those positions also offered further support around Benzema, and contributed to Isco adopting a wider position, as he did before Real moved to their four-diamond-two. Those operating from central midfield were encouraged to advance into the penalty area regularly, most commonly through the inside channels, between Benzema and those either side of him in their front three. That goals were being scored more evenly throughout Real's squad perhaps owed to that increased flexibility – there no longer existed the focal point that Ronaldo once was.

皇馬中場的調整也巧妙地改變了,克羅斯、卡塞米羅、莫德里奇三人組的其中二人,經常被組成雙核心,克羅斯、莫德里奇安排卡塞米羅的位置前,是這個佈陣的首選——他們就是靠著這麼做獲得了歐冠三連霸。巴爾偉德在這些位置的嶄露頭角跟配置也提供了本澤馬更長期的協助,並且也為伊斯高佔有更寬廣的空間有所貢獻,像他在皇馬菱形中場時所做的。中場做的這些調整,激勵了球更經常地被推進到小禁區,更習以為常的透過內側,傳到本澤馬與他搭檔所在的進攻三區。被打入的進球們更遍佈在皇馬的球員們,因為陣容靈活性的增加——C羅曾經扮演的「關鍵要點」已不復存。



Pressing and defending 壓迫與防禦


The extent to which Real's full-backs were encouraged to advance placed an increased importance on their defensive balance (below). If Kroos, Modric and Casemiro so often excelled in feeding those further forwards, when attacks broke down they combined impressively in front of their central defenders to negate attempts to attack on the counter.

皇馬邊後衛被激勵前插的程度,呈現了他們在防守平衡逐漸增加的重要性。如果說克羅斯、莫德里奇、卡塞米羅更經常地在餵養遠方的前鋒們表現優異,當進攻失敗時,他們在中衛前令人驚豔的合作也得以阻止對手防守反擊的企圖。

When they adopted their four-diamond-two, Kroos' positioning towards the left and Modric's towards the right, meant that further diamond shapes existed among those attacking. Kroos and Modric were at the base of those diamonds which were led by the relevant striker and featured an overlapping full-back to one side and Isco to the other; the two midfielders, supported by the disciplined Casemiro, defended effectively on the occasions an opponent advanced. With two advanced full-backs contributing to the pressure being applied further forwards, and two strikers positioned to attack, Real were similarly effective when reorganising into a reserved 4-4-2.

當他們採取4-4-2鑽石中場時,克羅斯位置靠左、莫德里奇位置靠右,意指這組進攻內有著更多的菱形存在。克羅斯跟莫德里奇是這些菱形的基底,由他們與參與其中的前鋒,搭配另一側重疊的邊後衛,與在另外一端的Isco組成。

兩個中場球員被有著鐵血紀律的卡塞米羅援助,對手想推進時會被有效的防下。伴隨著兩位前插的邊後衛給予對手前場壓迫的貢獻,加上兩個前鋒的攻擊站位,當皇馬再重新組織為預計的4-4-2時,同樣極具效果。



Their return to a 4-3-3 ultimately contributed to a change in their counter-pressing approach. Real continued to press as intensely and as often, and still started doing so with a unit of five. Their full-backs were less advanced than they were required to be when playing behind a diamond midfield, so opponents were likelier to play longer passes, leading to Real regaining possession in deeper territory when they once would have done so close to their opponent's goal.

他們最終回歸到4-3-3是受到他們就地反搶的方式影響。皇馬持續使用高強度、高頻率的壓迫,並且仍以5人規模執行。邊後衛們會比起以往在鑽石中場時撤回。讓對手更偏愛於長傳,導致皇馬能在自家半場深處重獲持球,而之前是在極貼近對方球門處完成此事。

Through their wide forwards forcing the ball into more central areas, those in central midfield advanced through the inside channels as a second wave, when previously that second wave was formed by their advanced full-backs and number 10. That they therefore also retained four in defence meant that passes were often effectively negated, contributing to attempts to resist the pressure Real applied – often through rushed clearances – and the numerous regains made by the players Zidane selected in central defence.

經過他們站位寬廣的前場把球破進到更靠近中圈的位置,中場們則會在內側通道將球推進展開第二波攻勢,當過往的第二波攻勢是被前插的邊後衛與10號位執行的。他們因此保持了四人後防線,表示對手的傳球更經常有效的攔阻,歸功於試圖抵擋皇馬的逼搶——經常透過倉促清球——與席丹在中後防的選員創造出人數增加的優勢。



留言

這個網誌中的熱門文章

閱讀札記006─野心時代:新舊中國的社經指南

封面。圖片來自 這裡 野心時代: 在新中國追求財富、真相和信仰 Age of Ambition: Chasing Fortune, Truth and Faith in the New China 出版:八旗文化 ( 讀書共和國 ) 作者:歐逸文 (Evan Osnos)          這是一本深入淺出,但是因為觸及的議題深遠廣闊,對於寫下這本書的札記有點難著手。但是總得作個紀錄,好唄,那麼洒家就來寫寫看唄,如有讀得不通之處,那必定是我的功力不足,就在此先消個毒啦。          看完這本書以後,難免直覺會去與前陣子看的《尋路中國》兩相比較。即使兩書的紀錄方式、作者的行文風格與當時中國的時空背景已經大不相同──這兩名作者恰好記錄下了中國轉型的兩個不同階段──但記錄的都是同一個國家,在高壓專制的、潛規則的中國政府底下那群充滿爆發力、充滿能量的中國人民。這種能量與爆發力被歐逸文稱之為「野心」,也是台灣的大人們稱之的「狼性」。 作者。來自 這裡 。          光是歐、何二人的撰文手法就有所差異。何偉的橫切面是帶有社會關懷的記錄下他在旅行 ( 沿著長城 ) 、三岔村、特區深入生活之後與人相處的景象,類似於一個人類學家在進行一場文化研究。對社會中發生的事情,他參與其中,而不干涉其中 ( 魏子淇的孩子重病是少數的例外 ) 。比如共產黨的政治力量,何偉也是這麼從旁記錄著黨在中國的權力角力,記錄方式避開了直接與共產黨折衝的可能。           歐逸文則不然。他選擇透過《野》與共產黨直接對話,除了身在該環境中,還將在中國社會不公義的壓迫手段 ( 多是共產黨透過其盤根錯結的權力架構施展 ) 書寫成冊以向外發聲。何偉是將自己的主觀盡量抽離,歐逸文則試將其意識形態參與、介入其中並嘗試發生改變,在無力改變,反而可能被利用的情況下則斷然抽離──我指的是《野心時代》並沒有在中國出一個「專門針對中國的特殊版本」,而選擇在相對保有創作自由的台灣出版這個事件。       ...

教授投書:阿根廷的歧視文化問題 【Perez公器私用練英文093】

【Perez公器私用練英文093】 阿根廷的歧視文化問題 Argentina’s Racism Problem 原文網址: https://newlinesmag.com/spotlight/argentinas-racism-problem/ 時間: 2024/07/30  作者: Pablo Alabarces (阿根廷布宜諾斯艾利斯大學(UBA)社會科學系流行文化教授,亦為阿根廷國家科學及科技研究委員會(CONICET)資深研究員。) 阿根廷的恩佐費南德斯,在2024七月中,邁阿密球場的阿根廷對哥倫比亞美洲盃決賽後,親吻了獎盃 Enzo Fernandez of Argentina kisses the trophy after the Copa America 2024 final between Argentina and Colombia in Florida in mid-July. A song against Black French soccer players is a symptom of deep-rooted prejudice 根深蒂固的偏見象徵──由 一首攻擊法國黑人球員們的歌談起 One of the first things you learn in any sociology course is to be cautious with generalizations. Saying “Los Argentinos son” [“Argentines are”] is a difficult and improbable phrase: “Argentine men are” is more likely to be accurate, yet it is still bound to fail as an assertion because it will always lack precision in terms of class, ethnicity, age and region. Argentina is a vast country and, although not densely populated, it has enormous differences and inequalities, like a...

【Perez公器私用練英文049】告別日耳曼—諾伊爾國家隊退役公開信

【Perez公器私用練英文049】 Auf Wiedersehen, Germany 告別日耳曼 原文網址: https://www.theplayerstribune.com/posts/manuel-neuer-soccer-germany-bundesliga-bayern-munich 時間: 2024/08/23  作者: Manuel Neuer Dear Germany,  親愛的德國: I don’t usually do stuff like this. I’m a very private guy. But now that I’m retiring from the national team, I want to write a little more than just an Instagram post. I want to explain to you what Germany means to me. What football means to me. 我通常不會做這種事。我是個很重隱私的人。但在我即將從國家隊退役的當下,我想要比寫篇IG貼文再多記一下一點點想法(Perez譯註:一篇IG貼文字數上限是2600左右)。我想要跟大家解釋德國對我來說代表了什麼。足球對我來說代表了什麼。 Because honestly, this decision was difficult. I was torn between my head and my heart. 因為說老實話,下這個決定是何其艱難。 我的腦跟我的心,意見簡直兩難到要將我撕裂。 My heart was saying, “You will miss this so much. You will miss the pride of playing for your country. You will miss the feeling of being around the guys.” 「你會念念不忘的。你會想念為你的國家掛帥出征的榮耀、你會想念跟這些哥們同在的感覺。」 我的心這麼說。 But after speaking to my family, I feel that I am going out at the right moment.  但在...